Postcard Image

Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.

These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.

Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.

Showing posts with label harem. Show all posts
Showing posts with label harem. Show all posts

Saturday, May 8, 2021

Bring on the Dancing Girls!

Certainly any collector would want to bring on any dancer as delicate and delightful as this lovely lass.  Of excellent porcelain and beautifully sculpted and decorated, she is 11 inches tall, not including her wooden base.


Although unmarked, she appears in the 1911 catalog of Dressel, Kister, and Company, confirming not only her maker, but that her base is original as well. This must have been a popular pose, as Dressel offered this luscious light of the harem in a variety of sizes and outfits (or no outfit).


Joining the chorus line are two more Dressel dancing damsels. All have their tresses in coiled braids over their ears and while the gorgeous gal in green has donned a turban, the other two wear their hair in a low chignon in the back. The nubile nude is bisque, while the other two are china. 


Another image from the Dressel catalog. 


A back view reveals that these ladies are equally lovely both coming and going. The details and workmanship are exquisite. For example, the center dancer's outfit has been decorated to give the appearance of sheerness and she is stepping out of her slipper as she rises on tiptoe.


This antique cigarette case carries a nearly identical image. Dressel often copied popular paintings and postcards of the day, but so far I have been unable to locate the original image that appears to have inspired both the case and figurines.









 

Thursday, May 11, 2017

Wearing Baubles, Bangles, and Beads

Baubles, bangles,
Hear how they jing, jing-a-ling-a,
Baubles, bangles,
Bright, shiny beads.
Sparkles, spangles,
My heart will sing, sing-a-ling-a,
Wearing baubles, bangles and beads.
I'll glitter and gleam so,
Make somebody dream so,
That someday he may buy me,
A ring, ring-aling-a,
I've heard that's where it leads,
Wearing baubles and bangles and beads.

Kismet, 1953 musical by Robert Wright and George Forrest

This sultry sultana, glittering and gleaming in her molded baubles, bangles, and beads, would be the dream of any collector.  By the German firm of Galluba and Hofmann, this enticing odalisque is only 2.25 inches high.  She is faintly incised "9000" under her hips.


Despite her small size, she has the same excellent bisque and exquisite detail that Galluba lavished on on its larger ladies.


Thursday, November 24, 2016

It's a Stretch

This sleepy sultana, luxuriating a sensual stretch, represents how many Americans will no doubt feel after stuffing themselves with turkey and stuffing (although, admittedly most Americans would probably not look quite as fetching in a barely-there jeweled bra and sheer skirt). By the German firm of Galluba and Hofmann, she is a variation of a mold used by the company for a bathing beauty.  Decorated in creams and browns to resemble an ivory carving, this undulating odalisque is 8 inches long.  Of excellent bisque, this luscious lady is incised underneath “9724.”


A case up of her face and upper torso.  Her gold and bejeweled top is not merely painted on, but molded as a series of raised dots.