Postcard Image

Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.

These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.

Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.

Thursday, March 16, 2017

Hand in Glove

I send to you a pair of gloves.
If you love me, 
Leave out the "G"
And make a pair of loves.
                           
Throughout Western history, gloves have been associated with love. In the age of chivalry, a fair damsel might give her chosen knight a glove as a token of her love and fidelity, which he would proudly display in his belt or wear on his helmet.  Presenting a woman with a pair of fine gloves, especially if they were perfumed, was a sign of courtship and even betrothal.  The preceding poem appeared in Elizabethan times and continued to be quoted in some form in love notes and Valentine cards through the Edwardian era.  Perhaps this lithesome lady with her shy smile has just received the pair of gloves she holds from an ardent admirer.  Incised on the back of her base "406” and “E,” this  5.5 inch tall bisque belle is by the German firm of Galluba and Hofmann.  She wears her original brunette mohair wig and at one time would have been garbed in a fashionable Edwardian gown of real silk and lace to cover her molded undergarment.    



Saturday, March 11, 2017

New Article

My latest article, "Her Naughty Hula Hips," appears in the March 2017 edition of Antique Doll Collector magazine.  The article is a followup to my December 2016 article in that publication, "A Whistle and a Shimmy; Clockwork Carnival Dolls of the 1920s," which examined at the clockwork dancing dolls created by companies like Zaiden Toy Works for carnival concessionaires.  The new article contracts hula dolls created by Zaiden and Progressive Toy Company.  The title is from the song, "Keep Your Eye on Her Hands" by Tony Todaro and Liko Johnston, which was sung by Jane Russell in the 1956 movie, "The Revolt of Mamie Stover."

Whenever you're watching a hula girl dance 
You gotta be careful, you're tempting romance. 
Don't keep your eyes on her hips 
Her naughty hula hips,
Keep your eyes on the hands.

Remember she's telling a story to you, 
Her opu is swaying, but don't watch the view. 
Don't concentrate on the swing 
It doesn't mean a thing, 
Keep your eyes on the hands. 

And when she goes around the island 
Swinging hips so tantalizing, 
Just keep your eyes where they belong. 
Because the hula has a feeling 
That will send your senses reeling, 
It makes a weak man strong. 

Your eyes are revealing 
I'm fooling no one, 
No use in concealing 
We're having some fun. 

But if you're too young to date 
Or over ninety-eight,
Keep your eyes on the hands. 
They tell the story, 
Just keep your eyes on the hands.

Thursday, March 2, 2017

Humorous Humidor


This humidor is hand painted on each side with a different bathing beauty striking a coy or comic pose.  The 7 inch tall container has a space under the lid for a moist sponge to keep the tobacco from drying out and is marked underneath with "B & Co. France," the mark of  L. Bernardaud and Company in the Limoges region.  It is also signed "L. Lemkuil," no doubt the painter of this porcelain piece.  Although the quality of the decoration is quite good, Lemkuil does not appear to have been a professional employed by Bernardaud, but was most likely a talented amateur who purchased the humidor as a blank.      





Lemkuil clearly copied the bawdy bathers from this series of postcards by French artist Xaiver Sager (1870-1930), one of the number of boudoir artists and illustrators who populated the pages of publications such as La Vie Parisienne, as well as innumerable postcards, with gorgeous gamines and kittenish coquettes.  This baigneuses series dates from the mid to late 1910s.







Wednesday, February 15, 2017

Sara La Baigneuse

This nubile nude is a real swinger. In the Victorian home, every possible inch was decorated, including airspace. Bisque and china figurines were made to hang from oil lamps and chandeliers, fan and shade pulls, hanging baskets, or hooks in front of windows. Most of these figurines were both relatively small and innocent, typically cherubic children sitting on a swing. This big bare beauty is extraordinary not only because of the sensual subject, but her size; at 9 inches high and 4.25 inches wide, she is as large as she is lovely.  Of the finest china and decoration, she is superbly sculpted from her tumbled blonde tresses to her delicate bare feet. Her face is that of a Grecian goddess and her full-figured form is exposed in all its voluptuous pulchritude. 


This luscious lady also may have a literary allusion. She appears to have been inspired by the 1838 painting “Sara La Baigneuse” (Sara the Bather) by French painter Alexandre-Marie Colin (1798-1875), which now hangs in the Musée Rolin in France. In turn, Colin was inspired by Victor Hugo’s 1828 poem, “Zara the Bather,” 

In a swinging hammock lying, 
Lightly flying, 
Zara, lovely indolent, 
O'er a fountain's crystal wave
There to lave
Her young beauty. . . . 


A close up of her delicately painted face. Considering the size and weight of this swinger and her previous perilous life perched high in the air, I suspect that not many of Sara's sisters have survived to the present day!


Monday, February 6, 2017

Seaside Siblings


As I have noted previously on this blog, I collect antique dolls as well as bathing beauties, especially German and French all-bisque dolls.   For me, this tiny twosome is a terrific "two-fer."  Just 2 5/8 inches tall, this brother and sister pair are ready for a day of sea and sand in their molded bathing suits.  Unmarked, they are of excellent German bisque and quality.  These little unjointed dolls are called badekinder (bathing children) in German or, as dubbed by American collectors, frozen Charlottes (the boys are frozen Charlies), a name inspired by the folk ballad of "Fair Charlotte." 


Thursday, February 2, 2017

Golden Girl

This bronze bathing beauty flings her arms wide to embrace the seaside sunshine, breathing deeply of fresh ocean air. In her exuberance, she is apparently unaware that the top of her 1920s bathing suit has slipped beneath her breasts. Superbly sculpted, with a golden patina, this lovely lithe lass is 9.75 inches tall, including her polished pink marble base, imbedded with intriguing fossils.





Her base is signed with what appears to be "Remi." Although this statuette is clearly by a skilled sculptor, I could not find any similar name or signature in the four-volume "Bronzes, Sculptors and Founders" by Harold Berman. An Internet search found an artist by the name of "Remi Palmier," but the few examples I found of his bronzes are signed with his full name and, frankly, his work is not of the same fine quality. From the late 1800s through the 1920s there were hundreds of workshops and foundries in Austria, Germany, France, and the United States creating small detailed bronzes and statuettes, the most famous of which is the Viennese foundry of Franz Xaver Bergmann.  Many of these bronzes, like this fabulous flapper, were a bit on the naughty side.  With hundreds of artists working during this period, identifying her specific sculptor may not be possible.  But if anyone has any information, I would love to hear from you!




Thursday, January 19, 2017

Pretty in Pink

Although only 2.25 inches tall, this china full-figure bathing beauty pincushion doll displays amazing detail, from her delicately painted features to the fact that her graceful arms and shapely legs are free from her body. There are no marks, but William Goebel did use this type of unusual domed base for some of its pincushion ladies.


Thursday, January 5, 2017

Just Hanging Around

This very unusual mermaid by William Goebel is made to adorn the edge of an aquarium.  Of excellent bisque, this sultry sea siren is 4.5 inches long.    


Her folded arms are angled away from her body, forming a little ledge to fit over the lip of a fish tank.       This perch is rather perilous, as a little bump can easily dislodge her, sending this fragile finned femme crashing to the floor.  I suspect not too many of these nubile naiads survived.


She is stamped “Bavaria” in black on her left hip, a mark often used by Goebel.





Thursday, December 22, 2016

Dresden Dolls


As delicate as her dress, this lovely little lady layered in porcelain lace is by the German firm of Galluba and Hofmann.  Although a mere 3.5 inches long, the facial features of this bisque belle are as detailed as those on her larger sisters, as is her original mohair wig.  To create her ethereal finery, real lace was dipped in porcelain slip and draped over the figurine during the greenware stage.  When fired, the lace burned away, leaving only the thin porcelain shell.  Many dealers and collectors refer to this as Dresden lace, after the porcelain-making area of Germany where the many companies used this technique, although porcelain factories throughout Germany produced such "spitzenfiguren."  The airy bathing suit or sundress is beautifully done, using two types of lace; a fine net makes up the majority of the dress and details such as shoulder straps and a bow at the waist, while an eyelet material was used to create an underskirt, as well as to trim the bodice.  Sadly, as is so typical of this fragile porcelain lace, there is some damage to the front of her skirt, but it is amazing that so much of her frail outfit is still intact after a century!


Here she poses with two more dainty diminutive damsels from this scarce series.


Friday, December 9, 2016

New Article


My article, "A Whistle and a Shimmy; Clockwork Carnival Dolls of the 1920s" is in the December 2016 issue of "Antique Doll Collector." The article looks at the clockwork cuties companies like Zaiden Toy Works created for carnival concessionaires. Below are some of the dolls included in my article.  This is "Bimbo," advertised by Zaiden in 1922 as a “wonderful creation” who “executes the belly roll.” 
 

Another Zaiden maiden is "Salvation Nell," a “Salvation Army girl shaking her tambourine and collecting funds. A Goddess of Mercy.”


Although Zaiden did make a Hula dancer, this doll is “Hula-Hula,” a big-eyed Kewpie-doll type by Progressive Toy Company. 


This March 8, 1922, advertisement by Zaiden features seven dolls, which it declares are only part of the company’s “Sixteen new mechanical numbers.” How many more of these shimmying and shaking dancing dolls are still out there after over 80 years, waiting to be discovered? 
 


Thursday, December 8, 2016

Peek-A-Boo. . . We See You!

In this bronze figurine, a shy bathing belle peeks out of her beach cabana, demurely clutching the curtains closed so that all we see is her sweetly-smiling face and dainty slippered feet.  But press down on the button atop her tent. . . .


and you are treated to a whole other side of her personality. Pulling out the button on the left side of the changing hut restores her modesty by flipping the bare beauty back to her original position. 
 

This erotic mechanical bronze is 6.25 inches tall. The lower back base of cabana incised with stylized urn contains a "B" and “Nam Greb Austria.” The "B" in the urn is the mark of the Viennese foundry of Franz Xaver Bergmann, which produced detailed bronze sculptures from the 1860s until 1936. Among the miniature animals, comic subjects, and Middle Eastern scenes, the foundry produced erotic bronzes, typically featuring a nude woman or a pair of naked lovers secreted within a seemingly innocuous subject, only to be revealed by a push of a button or lifting a up a piece of metal drapery. Often the erotic subjects are marked "Nam Greb," the reverse of Bergmann's name (less one "n"). Bergmann's son subsequently reopened the foundry, but the molds and remaining stock were sold at his death in 1954 to Karl Fuhrmann and Company. Currently, there are high-quality (and expensive) reproductions from Bergmann's molds, typically the miniature cold-painted animals, being cast in Austria, but as far as I can tell, not of the more complicated mechanical bronzes. There are also cheaper and poorer quality copies of some of the erotic Bergmann models coming out of Europe, China, or India. These pieces have poor modeling and blurred details, may be garishly gold-painted or patinated, and the female figurines' figures often have been slimmed down (but their breasts enlarged) to cater to modern tastes.  Many of these bronzes, whether recast from an original mold of carelessly copied, carry the Bergmann or Nam Grab marks.

Thursday, November 24, 2016

It's a Stretch

This sleepy sultana, luxuriating a sensual stretch, represents how many Americans will no doubt feel after stuffing themselves with turkey and stuffing (although, admittedly most Americans would probably not look quite as fetching in a barely-there jeweled bra and sheer skirt). By the German firm of Galluba and Hofmann, she is a variation of a mold used by the company for a bathing beauty.  Decorated in creams and browns to resemble an ivory carving, this undulating odalisque is 8 inches long.  Of excellent bisque, this luscious lady is incised underneath “9724.”


A case up of her face and upper torso.  Her gold and bejeweled top is not merely painted on, but molded as a series of raised dots.


Sunday, November 13, 2016

My Maneki Neko Page Updated!

A friend pointed out that I have not updated my Maneki Neko page for over a year.  I have made up for the neglect of my nekos by updating the page with the recent additions to my collection.

Thursday, November 10, 2016

An Extremely Elegant Edwardian

This fabulous 11 inch tall bisque fashion lady by Galluba and Hofmann has managed to retain both her elaborate mohair wig and her intricate Edwardian gown of silk and lace for over a century.  The light brown mohair wig is twisted into a braided bun, adorned with pearls and plumes. Her gown, although a bit yellowed and tattered, shows the delicate details that Galluba lavished on its fashion ladies, from the lined lace bodice to the tiny bead "buttons."  Her graceful arms have been left white to long represent gloves and she has matching molded white high-bottom boots.  Underneath she no doubt wears the molded combination undergarments typical of Galluba.  There are no visible marks.



Thursday, October 27, 2016

What a Beautiful Pussy You Are!


"O lovely Pussy! O Pussy, my love, 
What a beautiful Pussy you are, 
You are, 
You are! 
What a beautiful Pussy you are!" 

The Owl and the Pussy Cat, Edward Lear

With remarks by a certain presidential candidate regarding his propensity for grabbing pussies making headlines, I thought this week I would post this fine figurine of woman and her pretty pussy that any collector would like to grab.  By the German firm of Dressel, Kister, and Company, this nubile nude and her feline friend are of the finest china and decoration.  Marked underneath her left foot with crowned “L” in gray and freehand “2,” this curvaceous cutie and her cuddly kitty are 4 inches long and 3.5 inches.  The "L" mark replaced the bishop's crozier mark around 1900, under the proprietorship of Rudolph Lenck, and later his widow, Lina, who sold the factory in 1919.     



Friday, October 14, 2016

A Quartette of Coquettes in Corsets

These four flirtatious femmes are another series of damsels in dishabille by the German firm of Schafer and Vater.  In addition to the black stockings so favored by Schafer, these lovely lasses each have a blue flower adorning long flowing blonde tresses that fall to their corseted waists, camisoles that insist on slipping off softly rounded shoulders, white bloomers, and orange ankle boots.  They are all of excellent sharp bisque.  


The lady lounging with a book is 4.5 inches long and marked with a freehand “2.” under her hips.  Her less literary sister, who poses provocatively with a oversized fan, is 4 inches long and marked with a freehand "85" underneath.    


The belle buttoning her boot is 2.75 inches long and marked with a freehand "37" underneath.  Her friend flaunting a folded fan is 3 inches high and is unmarked.


Wednesday, September 28, 2016

Three (Not So) Little Pigs

Two of this trio of big piggies with underdressed riders have appeared earlier on this blog, but the rider on the right, holding a champagne flute in her hand, has now joined the previous pair of porkers.  She is 4 inches long and incised underneath with what appears to  be “6819.”  

 


Although all the pig passengers posture in different poses, the pigs all are the same model. In Germany, the pig is a sign of good luck and prosperity.  A person who is lucky will say "Ich habe schwein gehabt" (I have had pig).  It is traditional to give gifts of peppermint or marzipan pigs known as glücksschweinchen (good luck pigs) at Christmas and New Years.  Considering the bisque belles' state of dishabille and provocative poses, this passel of porkers might better be deemed as "get lucky" pigs.  Here an old German New Year postcard features the same theme of a hussy riding high on her hog.  






Thursday, September 15, 2016

Hoop-De-Do

This well dressed damsel dates from the mid-1850s to the late 1860s, when the fashion for crinoline  or hoop skirts swept far and wide (and I do mean wide!) through the fashion world.  The creation of the crinoline cage allowed wide bell-shaped swinging skirts, some as much as six feet in diameter.   


The fashion for hoop skirts was often the target of social satire and even risqué humor.  This china charmer shows a whole other side, displaying a damsel in dishabille buried beneath the wide rings of wire and whalebone and the many yards of fabric and flounces.


Just 3.25 inches tall, this comic china figurine is known as a fairing, because these small inexpensive porcelain pieces often were given as prizes or sold as souvenirs at fairs from the mid-1800s through the early 1900s.


A similar spoof from a 1856 cartoon that appeared in "Punch," a British humor and political satire magazine.



Thursday, September 1, 2016

Walter Whitehead, Are You My Daddy?

This antique oil painting on panel of a beautiful windblown bathing belle venturing out among the swelling waves has been featured previously on this blog.  It was clearly painted by a skilled artist and the style made me wonder if it was intended as an illustration for a magazine.


The painting was signed only with an odd monogram looking like a "W" interposed over a paw print or flower petals.  A friend had suggested that the artist might have been Henry Sumner Watson (1868-1933), who also used the name Hy S. Watson, and sometimes used a monogram of a "W" in a circle.  However, although the time period was right and there were some similarities between Watson's works and this one, all of the paintings and sketches I have found by Watson are signed with his name, not his monogram.


I finally found time to visit the extensive collection at the University of Texas Fine Arts Library, and spent an afternoon researching the reference books on artists' names and signatures.  And I think I have another possible painter for this pretty picture, Walter Whitehead (1874-1936).  Whitehead was an illustrator active during the 1910s, when my picture would have been painted, and he often signed his works with a monogram of a "W" against a dark background.  Below is his "Encore," painted in 1908 as an advertisement for Cream of Wheat.  Note his monogram in the lower right corner.  To me there seems to be a similarity in the skilled impressionist looseness of the brushstrokes, was well as the treatment of the shading of whites and the use of deep strong reds to accent the figure.   


As an illustrator, Whitehead used a variety of styles and his work often appeared in posters, including patriotic works for WWl.  This more peaceful subject, a print from 1915, is signed with his monogram in the lower left corner.

Another print, "Old Miss Hopkins," by Whitehead from 1911 with his monogram in the lower left corner.


This is all speculation, as there are only a limited number of Whitehead's works pictured on the Internet for comparison,  most of which are his WWI posters.  Also, the monogram on the identified Whitehead works is tighter and more concise than the monogram on my painting and, at least in the three examples I found, always accompanied by a date.  Whitehead was a prolific illustrator, with most of his works appearing in magazines and advertisements.  Whether he is the painter of my bathing beauty could only be definitively answered by a museum curator or an art appraiser familiar with Whitehead's works, but I certainly think he is a possible candidate!  

Monday, August 29, 2016

New Article

My article on double bathing beauties by Galluba and Hofmann, entitled "Twice as Nice, Galluba and Hofmann Double Bathing Beauties," is in the September 2016 edition of Antique Doll Collector magazine.  Here's a photograph of one scarce double in three different sizes. The largest is 5 inches tall and the smallest is 3.5 inches.   Although all three of these terrific twosomes appear in the article, this particular photograph does not.