This pottery pussycat from Japans' Shiga kilns has joined my chowder of lucky cats.
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.
These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.
Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.
Saturday, February 16, 2019
Thursday, February 14, 2019
This embossed postcard sent February 15, 1912, features a rather wistful bathing belle gazing at heart-shaped clouds while Cupid loiters uselessly behind her. The little slacker didn't even bother to bring his bow. It's Valentine's Day, you feathered loafer--get that winged butt in the air and find her a beach beau!
This frisky flapper bathing beauty with big blue googly eyes isn't waiting around for some flying naked toddler to find her a man. Instead, her head swings back and forth on a small metal brad, allowing her to scan the seaside for suitable suitors. Seven inches tall, the card was printed by George S. Carrington Greeting Card Manufacturing Company of Chicago, Illinois.
This little sultana shyly offers her valentine. The brad on her left shoulder allows her arm to move slightly up and down. It is marked in a circle "Louis Katz 1926."
Thursday, February 7, 2019
Girl with the burning golden eyes,
And red-bird song, and snowy throat:
I bring you gold and silver moons,
And diamond stars, and mists that float.
I bring you moons and snowy clouds,
I bring you prarie skies to-night
To feebly praise your golden eyes
And red-bird song, and throat so white.
To Gloriana, Vachel Lindsay (1879 - 1931)
This fascinating flapper with her enticing golden eyes, shadowed in smoky gray, certainly is worthy of praise. By the German firm of Fasold and Stauch, renown for its lithe ladies with large alluring amber eyes, this beautiful vamp is 5.25 inches tall and incised “8669” on the back.
Thursday, January 24, 2019
Come feed the little birds, show them you care
And you'll be glad if you do
Their young ones are hungry
Their nests are so bare
All it takes is tuppence from you
"Mary Poppins" (1964), Richard and Robert Sherman
February is National Bird Feeding Month, Declared by congressional proclamation on February 23, 1994, it urges individuals to provide food, water, and shelter to help wild birds survive, especially during the harsh winter months. As an amateur birder, I have multiple feeding and water stations around my home, and enjoy watching the wide variety of birds often literally flocking around my house. As the congressional proclamation declares, "backyard bird feeding is an entertaining, educational, and inexpensive pastime enjoyed by children and adults." If you want to feed our feathered friends as well, the Cornell Lab of Ornithology has helpful hints regarding the types of feeders and feed. Plus, this wonderful website can help you identify the birds who subsequently will visit your feeders.
This pretty pincushion doll gets into the spirit of things by offering a tasty tidbit to the colorful bird perched on her wrist. Of excellent bisque, the half doll is 3 inches and is incised on the back of her base "63 B 10/0." Her long lower lashes are a decorative technique typical of the German maker William Goebel and she wears her original mohair wig.
Thursday, January 10, 2019
These two scent-sational perfume atomizers each feature a beautiful belle embracing an oversized perfume bottle.
This nude nymph is by the Czechoslovakian Royal Dux Porcelain. Seven inches tall, she has a replaced bulb. The old bulbs and hoses were made of rubber that hardened or warped as it aged and were often covered with a silk net that similarly decayed over the decades.
Underneath she carried the applied pink triangle unique to Dux and the incised numbers "3009" and "7." After 1918, pieces were also marked "Made In Czechoslovakia."
This flapper with her flacon was produced by the French company Ereblè., which specialized in perfume atomizers. It is 6.75 inches tall and retains its original hardware stamped "Made in France.
Underneath it is marked not only "Ereblè Limoges" and "France," but also with the intertwined "C" and "S" of Charles Serpaut, who produced perfume bottles, lamps, and other decorative porcelain items in the Limoges region beginning in the 1920s
A close up showing her beautifully painted and stylized face.
Wednesday, December 26, 2018
The day after Christmas is celebrated in the United Kingdom as Boxing Day. It doesn't involve fisticuffs, but traditionally was a day when servants and service providers received a Christmas box or other gift or gratuity. This gracious lady seated upon a silk-covered box would be a welcome gift for any collector. Her bisque shoulder head, arms, and lower limbs are from the German maker Galluba and Hofmann. She is on a wrapped armature body and is 10.25 inches tall. Her bench box is wood, lined with cream paper, and covered in silk. The tufted upholstery even has tiny buttons.
Her lovely face has what I call the "smokey eye" variation. Instead of the typical Galluba blue eyes with intaglio pupils highlighted with a dot of white and red upper lid lines, the entire intaglio eye is black and the eyes shaded with a sultry gray shadow. Her smiling lips expose tiny molded teeth.
Her clothing is securely sewn and glued in place, but you can seen the unusual holes for attaching the arms and shoulder plate that seems to be unique to Galluba. In this case, however, the arms are attached to the underlying armature and not directly to the shoulder plate.
This is not a break, as the edge is finished and you can see the corresponding holes around the edge of the shoulder. This is a variation of the Galluba shoulder heads that allowed the arm to be attached in a different position.
Under the mesh pink stockings you can see that the lower legs have molded ribbed blue socks. One is faintly incised "Germany" at the knee. The shoes are also molded, but have been covered with narrow ribbon and given paper soles.
Searching on the Internet, I found two other examples of similar candy boxes featuring a Galluba fashion lady dressed in tiers of lace and ribbon and seated on a silk-tufted candy box posing as a bench or ottoman. This example is from Pinterest, but had no identifying information.
Another beautiful box from Dolls and Lace. Note this belle on a box has a wig of the same blond floss as on my example. Most significantly, she has her original label under her ottoman, stating "Alareine de Fleurs/J Daccard/Limoges/06 Rue de Clocher." J. Daccord was a confiserie (confectionary) store that operated in Limoges, France from the early 1900s as late as the 1960s. And this box is a confection indeed and as sweet a treat as any candy it may have once held. I suspect that Daccord or perhaps some French company bought the bisque shoulder heads and limbs from Galluba and transformed them into these elaborate chocolate boxes.
Sunday, December 23, 2018
Thursday, December 13, 2018
In this season of gift wrap and ribbon, this beautiful belle adorned a big blue bow is most timely. By Galluba and Hofmann, she is an unusual molded hair version of a wigged model. Earlier this blog featured a series of bisque half dolls by Galluba with either wigs or molded blue hair bows and this factory appears to have done the same for some of its bathing belles. Of excellent bisque, this beribboned beauty is 2.25 inches high and 3.25 inches long. Underneath she is incised with a "400" number obscured by an air hole.
A close up of her face shows the typical Galluba features, including intaglio eyes with white highlights.
Here she poses with a larger wigged version.
This page from a Galluba catalog appears to feature lovely lasses with molded hair ornaments in the lower right corner.
Thursday, November 29, 2018
Send your camel to bed
Shadows painting our faces
Traces of romance in our heads
Heaven's holding a half-moon
Shining just for us
Let's slip off to a sand dune, real soon
And kick up a little dust
1973, written by David Nichtern, sung by Maria Muldaur
Completing the theme of erotic bronzes from fin de siècle Austria is this Middle Eastern maiden posing provocatively under a palm tree. The palm fronds conceal a lightbulb and this lovely lamp is part of a series featuring various Arabic-inspired scenes under a sheltering palm. Of cold painted bronze, it is unmarked, but is no doubt from one of the many Austrian foundries that produced finely sculpted and cast bronzes in the late 1800s through the 1930s. A significant number of these bronzes engaged in Orientalism, with fanciful depictions of a mysterious, seductive, and decadent Middle East. The lamp is 11 inches tall.
A close up of the barely-robed water bearer. The cold painted patina is susceptible to wear, especially at any protruding edges, revealing glimpses of the gleaming bronze underneath
Thursday, November 15, 2018
. . . .who is the fairest in the land?" As posted previously on this blog, there was a fad for artistic smoking paraphernalia in the early 1900s, especially ashtrays of bronze and stone. This kneeling miss admiring both herself and her necklace in her hand mirror is yet another example. Although this sculpture is signed only "Austria"on the back of the cushion, I attribute this bronze belle to Bruno Zach (1891–1945), a Ukrainian artist who studied sculpture in Vienna and became renown for his bronze sculptures, many of an erotic nature. The woman's extreme oval, almost egg-shaped, head with delicate sharp features and brushed-back hair is very typical of Zach's early ladies. The use of colored patina, such as the silvering on her stockings and the rose tint on her beads, is also found on many Zach pieces. Beginning in the mid-19th century, Vienna was the home of many foundries and ateliers producing finely crafted bronzes to adorn the homes and offices of those wishing to subtly display their taste and wealth. She is 4 inches high and her ashtray base of onyx is 7 inches long.
This close up shows the wonderful details of this diminutive sculpture and the subtle use of patina.
Thursday, November 1, 2018
According to the Merriam Webster dictionary, "dish" can refer to "a more or less concave vessel from which food is served" or "an attractive or sexy person." And this bronze beauty is a dish in all senses of the word! Of dark bronze and creamy onyx, this dishy dame is eight inches tall. She is beautifully sculpted and cast, from her smiling face to the clinging top that has slipped down to bare one breast. . . .
. . . . to her ruffled undergarments and dainty bare feet.
Her upper torso lifts off, revealing that her tiered stony skirt is composed of three translucent nested onyx dishes (originally, there were four, but one has dish has disappeared over the decades). The dishes could have been used for nuts or other nibbles, but I suspect they are more likely a set of fancy ashtrays, as there was a fad for artistic stone and bronze smoking paraphernalia in the early 1900s.
She is signed "Charles Austria." Beginning in the mid-19th century, Vienna became the center of many foundries and ateliers producing finely crafted artistic bronzes to adorn the homes of those wishing to subtly display their taste and wealth. I have not been able to find any information regarding "Charles," but the name could refer to the sculptor, the foundry, or perhaps even an exclusive store offering such expensive specialties.
Sunday, October 14, 2018
We'll meet again
Don't know where
Don't know when
But I know we'll meet again some sunny day
Keep smiling through
Just like you always do
'Till the blue skies drive the dark clouds far away
1939, Ross Parker and Hughie Charles
When I recently came across this lovely laughing lass, I thought she looked familiar. By Galluba and Hofmann, she has an exceptionally beautiful face and animated expression. Her mohair wig is original and she is as large as she is lovely at 6 inches long and 2.75 inches high. Underneath she is incised "424 V.V."
A close up of her captivating face. There is even a top row of tiny molded teeth. Certainly this is not a face to be easily forgotten!
In fact, she has appeared earlier on this blog, at least in proxy. Here she is pictured in a 1990 Theriault's auction catalog, with the same unusual woven headband. Now I need to find that handsome hunk of a beach boy she is flirting with. . . .
Thursday, September 27, 2018
Previously, this blog featured a lovely Edwardian lady who appeared to be preparing to puff a cigarette, a suggestive and shocking habit for a woman of the 1910s. This posts features her male companion, a dandy garbed in Edwardian elegance from his top hat to his slender shoes. He actually has a hole between his lips for a small novelty toy cigarette; I did dare to light it, but was unable to capture any of the resulting small smoke rings with my camera. There is also a hole through his left hand, suggesting that he once may have held a slender walking stick. Like his female counterpart, this gentlemen is of sharp white bisque and is superbly modeled. He is 9 inches tall and unmarked. An identical figurine appeared in Theriault's 2001 auction of the archives of the former Hertwig and Company showroom.
A close up of his handsome face demonstrates the fine molded details.
Thursday, September 13, 2018
Like painting one's face or showing one's ankles, smoking was something a proper Victorian woman would never consider doing, at least not in public. The image of a woman smoking, with all its Freudian suggestiveness, was sometimes exploited by the ribald or rebellious, but in the early 1900s, cigarette smoking by women was still largely taboo. During World War I, as many women moved into roles formerly reserved for men, from organizing relief to working in factories or offices, some also assumed male habits, such as lighting up an occasional cigarette. During the early 1920s, smoking was still seen as scandoulous, something those frivolous flappers did while slipping into speakeasies or engaging in petting parties. However, by the late 1920s that tobacco companies began to actively court female consumers. In 1928, the American Tobacco Company began its "Reach for a Lucky" campaign, seeking to persuade women that reaching for a Lucky Strike cigarette instead of a sweet would help maintain their "graceful, modern form." The following year, during the Easter Sunday parade in New York City, public relations executive Edward Bernays staged a small group of fashionable young women smoking their "torches of freedom" as they strolled along. Still, when this fashionable bisque beauty was created in the late 1910s, a woman indulging in tobacco was considered more naughty than normal. Her charming chateau, rather understated when compared to the sweeping plumed and flowered hats of the earlier Edwardian years, and her form-fitting draped jacket with its peplum and ankle-length skirt suggest she dates from around 1917 through 1919. Her left hand is cupped in front of her face, as if holding an invisible cigarette, and she leans forward as if accepting a light. I wondered if she once might have held one of those miniature novelty cigarettes that when lit and blown out, continues to smolder and gives the impression of blowing smoke rings. I actually came upon a packet of these miniature smokes and while a cigarette did fit nicely in her hand, I was reluctant to light it out of concern that it might stain her delicate white fingers. Of beautiful sharp bisque and superbly sculpted, she is 6.5 inches tall and incised under her seat "8194." In 2001, Theriault's held an auction of the archives of the former Hertwig and Company showroom, which included an identical figurine.
Thursday, August 30, 2018
Striking a playful pose with a feline friend, this 5-inch long bisque bathing beauty is part of a scarce series by Galluba and Hofmann of lovely ladies lounging with their pets. Her mohair wig is a replacement, but she retains the remains of her silk net bathing suit with shredded faded red bows at neckline and on back. There are no visible marks.
The cute kitten in the blue bow was molded separately and added to his mischievous mistress during the greenware stage. This allowed Galluba to use its existing bathing beauty models and expand its offerings by simply adding an assortment of animal companions. The additions included two different types of cats, a spaniel, a French bulldog, and even a very rare devilish imp. Here is the same model, sans pussycat, who appeared earlier in this blog.
Thursday, August 16, 2018
This belle in a bustle by the German firm of Carl Thieme has appeared previously on this blog, but recently I came across what may be the source of inspiration for this gaudily-gowned gal tying her garter.
This early French fashion print shows a "Femme en Robe à la Polonaise." This style, with a fitted bodice and the back of the skirt drawn up into swags, was popular in the 1770s and 1780s. Thieme certainly seems to have based his belle on this early print, substituting a footstool for the stone and a tiled floor for the grassy lawn. As these prints were made to appeal to wealthy women of fashion, it is unlikely that this lady's pose was originally meant to titillate. It was instead a creative way to show the style of shoes and stockings worn to accessorize this elaborate outfit. However, when Thieme translated the paper print into porcelain in the late 1800s, the intent was certainly to entice. . . .
. . . . especially as the bustle was hinged to lift up and reveal both the lady's blushing bare buttocks and a rather bold brown beetle.
Thursday, July 26, 2018
Spain appears to be the land of mujeres misteriosas. This unusual and sultry señorita recently arrived from that country. Of a hollow papier mache material this exotic beauty is 17 inches tall, Her size and the fact that her arms are on adjustable wires (which would have allowed her to be more easily dressed and posed) indicate that she may have been intended as a countertop mannequin. Those arms are bisque, tinted brown, and had I not seen earlier the same model with the identical style of bisque arms, I would have thought they were replacements.
The other example was fair complexioned with pink bisque arms and looking closely at her face and hairline, it does appears she may have started out with a lighter skin tone.
However, her original wig certainly indicates she was created to be an olive-skinned Spanish beauty.
There is a single tantalizing clue to this baffling beauty's origins. On the back of her base are the initials "M" and "R" intertwined in a circle, which would seem to indicate either her manufacturer or designer. However, I have been unable to track down the name behind these initials.