Ms. #400 and her sea-going swain clearly only have eyes for each other, and large googly ones at that. This 4 inch tall bisque figurine of a plus-size sailor and his hefty honey is by the German firm of Schafer and Vater, and is incised on bottom with a faint Schafer sunburst mark and what appears to be “126.” Behind them is a small container for matches and toothpicks. Black ladies by Schafer are scarce to begin with, and this inter-racial pairing is indeed a rarity.
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.
These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.
Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.