Postcard Image

Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.

These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.

Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.

Showing posts with label Limoges. Show all posts
Showing posts with label Limoges. Show all posts

Thursday, April 21, 2022

French Flirt

At first glance this big-eyed bathing belle appears to be another of the wide variety of chalkware or composition "beach dolls" which became so popular beginning in the late 1910s, such as the Splash Me dolls of Genevieve Pfeffer or the carnival cuties offered by S.K. Novelty Company. However, this googly-eyed coquette is made of excellent china. She wears her original, if somewhat disheveled, black wig (a windy day at the seaside no doubt) and is a sizable 8 inches tall. Beautifully hand painted, this little lass was not intended to be an inexpensive prize at some carnival concession. 


Underneath she carries the mark of Union Céramique, a porcelain factory founded in Limoges, France in 1908. The company closed in 1938.


 

Thursday, January 10, 2019

Making Scents


These two scent-sational perfume atomizers each feature a beautiful belle embracing an oversized perfume bottle.


This nude nymph is by the Czechoslovakian Royal Dux Porcelain.  Seven inches tall, she has a replaced bulb.  The old bulbs and hoses were made of rubber that hardened or warped as it aged and were often covered with a silk net that similarly decayed over the decades.


Underneath she carried the applied pink triangle unique to Dux and the incised numbers "3009" and "7."  After 1918, pieces were also marked "Made In Czechoslovakia."


This flapper with her flacon was produced by the French company Ereblè., which specialized in perfume atomizers.  It is 6.75 inches tall and retains its original hardware stamped "Made in France.


Underneath it is marked not only "Ereblè Limoges" and "France," but also with the intertwined "C" and "S" of Charles Serpaut, who produced perfume bottles, lamps, and other decorative porcelain items in the Limoges region beginning in the 1920s  


A close up showing her beautifully painted and stylized face.






Wednesday, December 26, 2018

Happy Boxing Day!

The day after Christmas is celebrated in the United Kingdom as Boxing Day.  It doesn't involve fisticuffs, but traditionally was a day when servants and service providers received a Christmas box or other gift or gratuity.  This gracious lady seated upon a silk-covered box would be a welcome gift for any collector.  Her bisque shoulder head, arms, and lower limbs are from the German maker Galluba and Hofmann.  She is on a wrapped armature body and is 10.25 inches tall.  Her bench box is wood, lined with cream paper, and covered in silk.  The tufted upholstery even has tiny buttons.  


Her lovely face has what I call the "smokey eye" variation.  Instead of the typical Galluba blue eyes with intaglio pupils highlighted with a dot of white and red upper lid lines, the entire intaglio eye is black and the eyes shaded with a sultry gray shadow.  Her smiling lips expose tiny molded teeth.


Her clothing is securely sewn and glued in place, but you can seen the unusual holes for attaching the arms and shoulder plate that seems to be unique to Galluba.  In this case, however, the arms are attached to the underlying armature and not directly to the shoulder plate.


This is not a break, as the edge is finished and you can see the corresponding holes around the edge of the shoulder.  This is a variation of the Galluba shoulder heads that allowed the arm to be attached in a different position.


Under the mesh pink stockings you can see that the lower legs have molded ribbed blue socks.  One is faintly incised "Germany" at the knee.  The shoes are also molded, but have been covered with narrow ribbon and given paper soles. 


Searching on the Internet, I found two other examples of similar candy boxes featuring a Galluba fashion lady dressed in tiers of lace and ribbon and seated on a silk-tufted candy box posing as a bench or ottoman.  This example is from Pinterest, but had no identifying information.


Another beautiful box from Dolls and Lace.  Note this belle on a box has a wig of the same blond floss as on my example.  Most significantly, she has her original label under her ottoman, stating "Alareine de Fleurs/J Daccard/Limoges/06 Rue de Clocher." J. Daccord was a confiserie (confectionary) store that operated in Limoges, France from the early 1900s as late as the 1960s.  And this box is a confection indeed and as sweet a treat as any candy it may have once held.  I suspect that Daccord or perhaps some French company bought the bisque shoulder heads and limbs from Galluba and transformed them into these elaborate chocolate boxes.






Thursday, March 2, 2017

Humorous Humidor


This humidor is hand painted on each side with a different bathing beauty striking a coy or comic pose.  The 7 inch tall container has a space under the lid for a moist sponge to keep the tobacco from drying out and is marked underneath with "B & Co. France," the mark of  L. Bernardaud and Company in the Limoges region.  It is also signed "L. Lemkuil," no doubt the painter of this porcelain piece.  Although the quality of the decoration is quite good, Lemkuil does not appear to have been a professional employed by Bernardaud, but was most likely a talented amateur who purchased the humidor as a blank.      





Lemkuil clearly copied the bawdy bathers from this series of postcards by French artist Xaiver Sager (1870-1930), one of the number of boudoir artists and illustrators who populated the pages of publications such as La Vie Parisienne, as well as innumerable postcards, with gorgeous gamines and kittenish coquettes.  This baigneuses series dates from the mid to late 1910s.