This roguish redhead is already for the masquerade ball in her form-fitting Pierrette costume that not only shows off her shapely legs, but manages to flash a bit of bosom under the wide ruffled collar. The collar forms a small shallow dish and her head is a separate piece, sewn to the original down powder puff, so that she appears to wear a marabou boa. Of excellent china and 6.25 inches tall, this coquettish clown is unmarked, but her auburn hair and large amber eyes with smoky grey shading are all characteristic of the German firm of Fasold and Stauch. The little dish would not hold much powder, so perhaps it was meant for blush or rouge?
Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.
These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.
Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.
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