Postcard Image

Postcard Image
As the Victorian era passed into the Edwardian and Roaring Twenties, a market developed for bisque and china bawdy novelties and figurines of women in revealing outfits. Although now most of these figurines seem more coy and cute than ribald and risque, in their time they symbolized the casting off of the perceived restraints of the Victorian era.

These little lovelies included bathing beauties, who came clad in swimsuits of real lace or in stylish painted beach wear, as well as mermaids, harem ladies, and nudies, who were meant to wear nothing more than an engaging smile. Also produced were flippers, innocent appearing figurines who reveal a bawdy secret when flipped over, and squirters, figurines that were meant to squirt water out of an appropriate orifice.

Most were manufactured in Germany from the late 1800s through the 1930s, often showing remarkable artistry and imagination, with Japan entering the market during World War I.

Thursday, January 9, 2025

Mysterious Mermaids

While mermaids have always been magical and mystifying, these sinuous sirens have mystery all their own. Of gilt bronze, these mermaids mounted on stylized dolphins have holes behind the dolphins' serpent-like tails for mounting on some object, perhaps an ornate bronze urn or elaborate mirror frame, or as ormolu adornments for a fancy piece of furniture. They are beautifully cast and finished, as well as amazingly hefty. I bought four of them years ago, I do not even remember where, thinking to use them as decorative hooks. Each is about 7.5 inches long and there are two sets, as two of the mermaids look over their right shoulder, while the other pair turn the opposite way. But I soon realized that the curved tails did not allow easy wall mounting and my brother Steven, who was teaching himself woodworking, offered to mount the mermaids on wooden backs for hanging.

Well, that was a couple of years ago. Steven soon realized this task was far more complex that it first appeared, as each mermaid was different in many small ways, from the curves of the tail to the number of screw holes in the back. To complicate things even more, the screws needed were different sizes and had to be attached at different angles. As he acquired new skills and better equipment, Steven finally cracked the mermaid mystery and has presented me with all four undines attached to oak backs and ready for hanging.


It is interesting that there are such subtle differences among these sirens. I suspect they may have been sand cast, rather than produced by the lost wax method, which would result in minor variations. As for the different fastenings, perhaps these lovely lorelies were originally part of some rococo-styled object with asymmetric roiling curves, requiring each mermaid to have her own unique attachment. I would love someday to find out what these undulating undines originally adorned.