Nice Kicks

Throughout Europe, shoes have long been a symbol of prosperity, luck, and fertility. With the expansion of the porcelain industry, and the Victorian's love of knick-knacks, miniature shoes of china and porcelain, often with elaborate adornments, became a popular collectible and gift. This fanciful footwear is by the German firm of Galluba and Hofmann, demonstrating that this company produced products other its famed bathing beauties and fashion ladies, often featured on this blog.

The shoes are lavishly decorated with applied flowers and gilt (I wonder why I have never seen on of their lovely ladies so bedecked?). The pink shoes are trimmed with blue forget-me-not flowers, a popular decoration on china ornaments of the period, which were often given as gifts. Both pieces are 4 inches long and the boot is 3.5 inches high.

Each is stamped on the sole with Galluba's crowned shield mark. 

 

Among my Souvenirs. . . .

Romance comes to all in Summer, Spring or Fall 

It came the day that I met you 

And though you may seem a sweet and happy dream 

Yet all the time you knew it was untrue 

There's nothing left for me of days that used to be 

I live in memory among my souvenirs

Some letters tied with blue, a photograph or two 

I see a rose from you among my souvenirs

words by Edgar Leslie, music by Horatio Nicholls, 1927

This tiny brass souvenir album from France certainly contains "a photograph or two."  Just 1.5 inches tall and one inch high, it is beautifully embossed with an art nouveau pattern.  

Delightfully detailed, the edges are molded to appear as the edges of the interior pages.

It opens to reveal an octet of early photographs of very buxom beauties in various poses "plastique."

Although at first place these luscious ladies appear to be nude, they are in fact clad in form-fitting maillots.  

I have seen some of these same images reproduced on "naughty" French postcards from around 1900, such as this bejeweled belle, who appeared on a postcard signed "Reutlinger." Léopold-Émile Reutlinger took over the Parisian photography Studio Reutlinger from his father and became renown for his portraits of the most famous, and infamous, beauties of the Belle Epoque, from opera singers and actresses to performers from the stages of the Moulin Rouge and the Folies Bergères.  He also produced artistic erotic pictures reproduced widely on postcards.

Another Reutlinger picture, this one a portrait of Caroline Otéro.  "La Belle," as she was known, was a Spanish actress and dancer who starred in Les Folies Bergère in the early 1900s.  A great beauty famed for her hypnotic dark eyes and curvaceous physique, she was one of the last great French courtesans.  Although blurred,  the Reutlinger signature and "Paris" are just visible in the lower right corner.